In my painting practice, I delve deeply into the essence of everyday objects, aiming to transform them from mere physical entities into profound symbols of meaning and introspection. By focusing on a carefully selected set of shapes, which I explore repeatedly, I uncover their fundamental nature and significance. This ritualistic repetition allows each painted shape to evolve into an icon or symbol, resonating with universal themes and emotions.

I view objects not just as passive items but as active participants in our lives. They embody personal and collective memories, identities, and emotions, reflecting concepts from Jean Baudrillard’s Le Système des Objets, Aurélien Fouillet’s interpretations, and Mingei philosophy. Through the simplification of forms and a restrained palette, I distill these objects to their essence, creating spaces for deep contemplation. Each painting transforms static images into dynamic elements of the viewer’s experience.

The arrangement of these forms on the canvas highlights their interaction with their surroundings, emphasizing their presence and influence. Subtle adjustments in color, composition, and texture explore how the perception of shapes shifts, mirroring how the significance of an object can vary with context.

Repetition serves as both an artistic ritual and a means of preserving memory, turning painting into a meditative act of remembering and reinterpretation. My limited lexicon of shapes reflects the idea that simple forms can reveal profound truths about our existence. These repeated shapes become visual representations of universal ideas or emotions, distilled to their most potent essence.

Each painting becomes a space for reflection, inviting viewers to explore the deeper connections between materiality and meaning. Vibrant colors are used intentionally, guided by color theory and positive psychology to evoke well-being and joy. The texture of my work, achieved through a heavy application of acrylic resin and sharp outlines, adds a tactile quality that invites both visual and physical engagement.

In conclusion, my artistic practice serves as a contemplative bridge between the physical and the conceptual, transforming everyday objects into symbols that reflect personal and collective experiences. This approach highlights the continuous dialogue between material and idea, elevating simple shapes into profound symbols of meaning.